Margrave Leopold leads monks into Melk, fresco (Austria 1989)

Stamp Margrave Leopold leads monks into Melk, fresco it reflects the thematic directions:

A flag is a piece of fabric (most often rectangular or quadrilateral) with a distinctive design that is used as a symbol, as a signaling device, or as decoration. The term flag is also used to refer to the graphic design employed, and flags have since evolved into a general tool for rudimentary signalling and identification, especially in environments where communication is similarly challenging (such as the maritime environment where semaphore is used). National flags are patriotic symbols with varied wide-ranging interpretations, often including strong military associations due to their original and ongoing military uses. Flags are also used in messaging, advertising, or for other decorative purposes. The study of flags is known as vexillology, from the Latin word vexillum, meaning flag or banner.

In Abrahamic religious traditions (such as Judaism, Christianity, and Islam) and some sects of other belief-systems like Hinduism and Buddhism, an angel is a heavenly supernatural or spiritual being. In monotheistic belief-systems, such beings are under service of the supreme deity (i.e. God).

Abrahamic religions often depict angels as benevolent celestial intermediaries between God and humanity. Other roles include protectors and guides for humans, such as guardian angels and servants of God.[3] Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Malevolent angels are often believed to have been expelled from Heaven and called fallen angels. In many such religions, the Devil (or devils) are identified with such angels

Fresco (pl. frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco (Italian: affresco) is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting.