Angel, pre-Romanesque fresco of Sant Cerni de Nagol (Andorra, French Administration 1980)

Stamp Angel, pre-Romanesque fresco of Sant Cerni de Nagol it reflects the thematic directions:

Goliath (/ɡəˈlaɪəθ/ gə-LY-əth) was a Philistine giant in the Book of Samuel. Descriptions of Goliath's immense stature vary among biblical sources, with texts describing him as either 6 ft 9 in (2.06 m) or 9 ft 9 in (2.97 m) tall. According to the text, Goliath issued a challenge to the Israelites, daring them to send forth a champion to engage him in single combat; he was ultimately defeated by the young shepherd David, employing a sling and stone as a weapon. The narrative signified King Saul's unfitness to rule, as Saul himself should have fought for the Kingdom of Israel

In Abrahamic religious traditions (such as Judaism, Christianity, and Islam) and some sects of other belief-systems like Hinduism and Buddhism, an angel is a heavenly supernatural or spiritual being. In monotheistic belief-systems, such beings are under service of the supreme deity (i.e. God).

Abrahamic religions often depict angels as benevolent celestial intermediaries between God and humanity. Other roles include protectors and guides for humans, such as guardian angels and servants of God.[3] Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Malevolent angels are often believed to have been expelled from Heaven and called fallen angels. In many such religions, the Devil (or devils) are identified with such angels

Fresco (pl. frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco (Italian: affresco) is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting.