Stamp: Equestrian portrait of Charles I of England (Central African Republic 2011)

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Equestrian portrait of Charles I of England (Central African Republic 2011)

29 December (Central African Republic ) within release Painting by Antoon van Dijk goes into circulation Stamp Equestrian portrait of Charles I of England face value 3,200 Central African CFA franc

Stamp Equestrian portrait of Charles I of England in catalogues
Michel: Mi: CF 3326

Stamp is square format.

Stamp from souvenir sheet Issue acknowledged by the Central African postal authorities, but only distributed by the Central African philatelic agent for collecting purposes. Detail of painting in Prado Museum, Madrid

Also in the issue Painting by Antoon van Dijk:

Data entry completed
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Stamp Equestrian portrait of Charles I of England in digits
Country: Central African Republic
Date: 2011-12-29
Print: Offset lithography
Perforation: comb 14
Emission: Commemorative
Format: Stamp
Face Value: 3,200 Central African CFA franc

Stamp Equestrian portrait of Charles I of England it reflects the thematic directions:

Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.

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Stamp, Equestrian portrait of Charles I of England, Central African Republic,  , Painters, Paintings