Stamp: "Picnic in May" by Pál Szinyei Merse. (Hungary 1966)
"Picnic in May" by Pál Szinyei Merse. (Hungary 1966)
09 December (Hungary ) within release Paintings goes into circulation Stamp "Picnic in May" by Pál Szinyei Merse. face value 10 Hungarian forint
| Stamp "Picnic in May" by Pál Szinyei Merse. in catalogues | |
|---|---|
| Michel: | Mi: HU 2298B |
Stamp is horizontal format.
"Picnic in May" by Pál Szinyei Merse. Stamp from souvenir sheetAlso in the issue Paintings:
- Stamp - Girl in the Forest by Miklós Barabás face value 60;
- Stamp - Mrs István Bittó by Miklós Barabás face value 1;
- Stamp - Hunyadi's Farewell by Gyula Benczúr face value 1.50;
- Stamp - Reading Woman by Gyula Benczúr face value 1.70;
- Stamp - Woman with Fagots by Mihály Munkácsi face value 2;
- Stamp - Yawning Boy by Mihály Munkácsi face value 2.50;
- Stamp - Lady in Violet by Pál Szinyei Merse face value 3;
- Souvenir Sheet - "Picnic in May" by Pál Szinyei Merse face value 10;
- Souvenir Sheet - "Picnic in May" by Pál Szinyei Merse. face value 10;
- Stamp - "Picnic in May" by Pál Szinyei Merse. face value 10;
- Stamp - "Picnic in May" by Pál Szinyei Merse. face value 10;
- Stamp - Girl in the Forest by Miklós Barabás face value 60;
- Stamp - Hunyadi's Farewell by Gyula Benczúr face value 1.50;
- Stamp - Lady in Violet by Pál Szinyei Merse face value 3;
- Stamp - Mrs István Bittó by Miklós Barabás face value 1;
- Stamp - Reading Woman by Gyula Benczúr face value 1.70;
- Stamp - Woman with Fagots by Mihály Munkácsi face value 2;
- Stamp - Yawning Boy by Mihály Munkácsi face value 2.50;
Stamp "Picnic in May" by Pál Szinyei Merse. it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
