20 June (Hungary ) within release Documentary revenues of Forint/krajczár - Vienna print goes into circulation Stamp Numeral and Coat of Arms face value 4 Hungarian forint
Stamp Numeral and Coat of Arms in catalogues | |
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Philatelia Hungarica Catalog: | PHu: HU R21A |
Stamp is vertical format.
Patrona Hungariae with wreath, book and globe, sitting palm leaves around her. Upwards is the Coat of Arms of Hungary with the Holy Crown.Also in the issue Documentary revenues of Forint/krajczár - Vienna print:
Stamp Numeral and Coat of Arms it reflects the thematic directions:
A coat of arms is an heraldic visual design on an escutcheon (i.e. shield), surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement which in its whole consists of shield, supporters, crest, and motto. A coat of arms is traditionally unique to an individual person, family (except in the United Kingdom), state, organisation or corporation.
In British heraldry, a coronet is any crown whose bearer is less than sovereign or royal in rank, irrespective of the crown's appearance. In other languages, this distinction is not made, and usually the same word for crown is used irrespective of rank (German: Krone, Dutch: Kroon, Swedish: Krona, French: Couronne, etc.) In this use, the English coronet is a purely technical term for all heraldic images of crowns not used by a sovereign, and implies nothing about the actual shape of the crown depicted. A Coronet is another type of crown, but is reserved for the lower ranks of nobility like Marquesses and Marchionesses, Earls and Countesses, Barons and Baronesses, and some Lords and Ladies. The specific design and attributes of the crown or coronet signifies the hierarchy and ranking of its owner.
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast.