Stamp: The Banquet of the Doctor (Ajman 1967)
The Banquet of the Doctor (Ajman 1967)
10 July (Ajman ) within release Paintings of Arab masters of the 13th century goes into circulation Stamp The Banquet of the Doctor face value 3 United Arab Emirates dirham
| Stamp The Banquet of the Doctor in catalogues | |
|---|---|
| Michel: | Mi: AJ 160B |
Stamp is square format.
Printed in sheets of 10 (2x5)Also in the issue Paintings of Arab masters of the 13th century:
- Stamp - Socrates face value 1;
- Stamp - Abu Zaid and judges Rahba face value 2;
- Stamp - The Banquet of the Doctor face value 3;
- Stamp - Al Harith face value 4;
- Stamp - Abu Zaid face value 5;
- Stamp - The gloomy tent face value 30;
- Stamp - Abu Zaid face value 5;
- Stamp - Abu Zaid and judges Rahba face value 2;
- Stamp - Al Harith face value 4;
- Stamp - Lancers by Al Wasiti face value 70;
- Stamp - Socrates face value 1;
- Stamp - The Banquet of the Doctor face value 3;
- Stamp - The gloomy tent face value 30;
- Full Pane - Abu Zaid face value 10*5;
- Full Pane - Abu Zaid and Judges Rahba face value 10*2;
- Full Pane - Al Harith face value 10*4;
- Full Pane - Lancers by Al Wasiti face value 10*70;
- Full Pane - Socrates face value 10*1;
- Full Pane - The Banquet of the Doctor face value 10*3;
- Full Pane - The Gloomy Tent face value 10*30;
Stamp The Banquet of the Doctor it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
