Souvenir Sheet: Self Portrait at the Age of 24 (1804) (Ajman 1970)
Self Portrait at the Age of 24 (1804) (Ajman 1970)
21 October (Ajman ) within release Paintings by Jean Auguste Dominique Ingres (1780-1867) goes into circulation Souvenir Sheet Self Portrait at the Age of 24 (1804) face value 2 United Arab Emirates riyal
| Souvenir Sheet Self Portrait at the Age of 24 (1804) in catalogues | |
|---|---|
| Michel: | Mi: AJ 636EB |
Souvenir Sheet is square format.
Also in the issue Paintings by Jean Auguste Dominique Ingres (1780-1867):
- Stamp - Bathing woman (1807) face value 25;
- Stamp - Angelica (1819) face value 30;
- Stamp - The Spring (1856) face value 35;
- Stamp - Oedipus & The sphinx (1808) face value 50;
- Stamp - Jupiter & Thetis (1811) face value 70;
- Stamp - Odalisque with a slave (Detail) (1842) face value 85;
- Stamp - Bonaparte as first consul (1804) face value 1;
- Stamp - Self portrait at the age of 24 (1804) face value 2;
- Se-tenant - Paintings by Jean Auguste Dominique Ingres (1780-1867) face value 5.95;
- Stamp - Angelica (1819) face value 30;
- Stamp - Bathing Woman (1807) face value 25;
- Souvenir Sheet - Bathing Woman (1807) face value 25;
- Stamp - Bonaparte as First Consul (1804) face value 1;
- Stamp - Jupiter & Thetis (1811) face value 85;
- Stamp - Odalisque with a slave (Detail) (1842) face value 70;
- Stamp - Oedipus & The sphinx (1808) face value 50;
- Stamp - Self Portrait at the Age of 24 (1804) face value 2;
- Souvenir Sheet - Self Portrait at the Age of 24 (1804) face value 2;
- Stamp - The Spring (1856) face value 35;
- Souvenir Sheet - The Spring (1856) face value 35;
- Souvenir Sheet - Angelica, Jean Auguste Dominique Ingres (1819) face value 30;
- Souvenir Sheet - Jupiter & Thetis, Jean Auguste Dominique Ingres (1811) face value 85;
- Souvenir Sheet - Odalisque with a Slave, Jean Auguste Dominique Ingres (1842) face value 70;
- Souvenir Sheet - Oedipus & The Sphinx, Jean Auguste Dominique Ingres (1808) face value 50;
- Se-tenant - Paintings by Jean Auguste Dominique Ingres (1780-1867) face value 5.95;
- Full Pane - Paintings by Jean Auguste Dominique Ingres (1780-1867) face value 4*5.95;
- Souvenir Sheet - Bonaparte as First Consul (1804) face value 1;
- Full Pane - Paintings by Jean Auguste Dominique Ingres (1780-1867) face value 4*5.95;
Souvenir Sheet Self Portrait at the Age of 24 (1804) it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait can be represented as half body and even full body. If the subject in full body better represents personality and mood - this type of presentation can be chosen. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, to most successfully engage the subject with the viewer, but portrait can be represented as a profile (from aside) and 3/4.
