Souvenir Sheet: Condemnation of St. Laurentius (Ajman 1972)

Condemnation of St. Laurentius (Ajman 1972)

15 August (Ajman ) within release Frescoes by Beato Angelico goes into circulation Souvenir Sheet Condemnation of St. Laurentius face value 1.50 United Arab Emirates riyal

Souvenir Sheet Condemnation of St. Laurentius in catalogues
Michel: Mi: AJ BL411B
Colnect codes: Col: AJ 1972.08.15-088a

Souvenir Sheet is horizontal format.

Frescoes by Beato Angelico. Condemnation of St. Laurentius.

Also in the issue Frescoes by Beato Angelico:

Data entry completed
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Souvenir Sheet Condemnation of St. Laurentius in digits
Country: Ajman
Date: 1972-08-15
Print: Offset lithography
Size: 128 x 88
Perforation: Imperforate
Emission: Commemorative
Format: Souvenir Sheet
Face Value: 1.50 United Arab Emirates riyal

Souvenir Sheet Condemnation of St. Laurentius it reflects the thematic directions:

Fresco (pl. frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco (Italian: affresco) is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting.

Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.

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