Stamp: Admiring the Irises at Yatsuhashi (large tree), by Hokusai (Saint Vincent and The Grenadines 1999)
Admiring the Irises at Yatsuhashi (large tree), by Hokusai (Saint Vincent and The Grenadines 1999)
25 June (Saint Vincent and The Grenadines ) within release Paintings by Hokusai goes into circulation Stamp Admiring the Irises at Yatsuhashi (large tree), by Hokusai face value 1.10 East Caribbean dollar
| Stamp Admiring the Irises at Yatsuhashi (large tree), by Hokusai in catalogues | |
|---|---|
| Michel: | Mi: VC 4687 |
| Stamp Number: | Sn: VC 2714a |
| Stanley Gibbons: | Sg: VC 4327 |
Stamp is square format.
Also in the issue Paintings by Hokusai:
- Stamp - A Fisherman at Kajikazawa, by Hokusai face value 5;
- Souvenir Sheet - A Fisherman at Kajikazawa, by Hokusai face value 5;
- Stamp - A View of Aoigaoka Waterfall in Edo, by Hokusai face value 1.10;
- Stamp - Admiring the Irises at Yatsuhashi (large tree), by Hokusai face value 1.10;
- Stamp - Admiring the Irises at Yatsuhashi (peak of bridge) face value 1.10;
- Stamp - Farmers Crossing a Suspension Bridge, by Hokusai face value 1.10;
- Stamp - In the Horse Washing Waterfall, by Hokusai face value 5;
- Souvenir Sheet - In the Horse Washing Waterfall, by Hokusai face value 5;
- Mini Sheet - Katsushika Hokusai, 150th Anniversary Tribute (1760-1849) face value 6*1.10;
- Mini Sheet - Katsushika Hokusai, 150th Anniversary Tribute (1760-1849) face value 6*1.10;
- Stamp - Landscape with a Hundred Bridges (Large Bridge in Center) face value 1.10;
- Stamp - Landscape with a Hundred Bridges (Large Mountain) face value 1.10;
- Stamp - Pilgrims Bathing in Roben Waterfall, by Hokusai face value 1.10;
- Stamp - Sea Life (Crab), by Hokusai face value 1.10;
- Stamp - Sea Life (Turtle head Lower left side), by Hokusai face value 1.10;
- Stamp - Sea Life (Turtle head Upper left side), by Hokusai face value 1.10;
- Stamp - Sea Life (Turtle head Upper Right side), by Hokusai face value 1.10;
- Stamp - Women at the Beach in Enoshima, by Hokusai face value 1.10;
Stamp Admiring the Irises at Yatsuhashi (large tree), by Hokusai it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
