Full Pane: The Spinners, by Diego Velázquez (Mahra 1968)
The Spinners, by Diego Velázquez (Mahra 1968)
01 January (Mahra ) within release Paintings by Diego Velazquez goes into circulation Full Pane The Spinners, by Diego Velázquez face value 20*10 South Yemeni fils
| Full Pane The Spinners, by Diego Velázquez in catalogues | |
|---|---|
| Colnect codes: | Col: AD-MS 1968.00.00-25b |
Full Pane is square format.
Footnoted in: MichelAlso in the issue Paintings by Diego Velazquez:
- Full Pane - Old Woman Cooking Eggs, by Diego Velázquez face value 20*75;
- Stamp - Old Woman Cooking Eggs, by Diego Velázquez face value 75;
- Full Pane - Queen Mariana, by Diego Velázquez face value 20*25;
- Stamp - Queen Mariana, by Diego Velázquez face value 25;
- Full Pane - The Infant Margarita Maria, by Diego Velázquez face value 20*150;
- Stamp - The Infant Margarita Maria, by Diego Velázquez face value 150;
- Stamp - The Infant Margarita Maria, by Diego Velázquez face value 500;
- Full Pane - The Infant Margarita, by Diego Velázquez face value 20*100;
- Stamp - The Infant Margarita, by Diego Velázquez face value 100;
- Full Pane - The Spinners, by Diego Velázquez face value 20*10;
- Stamp - The Spinners, by Diego Velázquez face value 10;
- Full Pane - The Triumph of Bacchus, by Diego Velázquez face value 20*50;
- Stamp - The Triumph of Bacchus, by Diego Velázquez face value 50;
- Full Pane - The Water Carrier, by Diego Velázquez face value 20*15;
- Stamp - The Water Carrier, by Diego Velázquez face value 15;
Full Pane The Spinners, by Diego Velázquez it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
