Stamp: Mademoiselle Lavergne by Jean Etienne Liotard (1702-1789) (Burundi 1968)
Mademoiselle Lavergne by Jean Etienne Liotard (1702-1789) (Burundi 1968)
30 September (Burundi ) within release International week of the written letter goes into circulation Stamp Mademoiselle Lavergne by Jean Etienne Liotard (1702-1789) face value 50 Burundian franc
| Stamp Mademoiselle Lavergne by Jean Etienne Liotard (1702-1789) in catalogues | |
|---|---|
| Michel: | Mi: BI 445A |
Stamp is vertical format.
Stamp from souvenir sheet BI BL28AAlso in the issue International week of the written letter:
- Stamp - Majas sur le Manzanares face value 4;
- Stamp - En lisant une lettre face value 7;
- Stamp - Femme lisant une lettre face value 11;
- Stamp - Homme écrivant une lettre face value 14;
- Stamp - La lettre face value 17;
- Stamp - J. Vermeer : Girl reading a Letter at an Open Window face value 26;
- Stamp - E. Vigée-Lebrun : Lady Folding a Letter face value 40;
- Stamp - Mademoiselle Lavergne face value 50;
- Souvenir Sheet - International week of the written letter face value 90;
- Souvenir Sheet - International week of the written letter face value 90;
- Stamp - E. Vigée-Lebrun : Lady Folding a Letter face value 40;
- Stamp - Mademoiselle Lavergne by Jean Etienne Liotard (1702-1789) face value 50;
- Stamp - E. Vigée-Lebrun : Lady Folding a Letter face value 40;
- Stamp - E. Vigée-Lebrun : Lady Folding a Letter face value 40;
- Stamp - J. Vermeer : Girl reading a Letter at an Open Window face value 26;
- Stamp - Mademoiselle Lavergne by Jean Etienne Liotard (1702-1789) face value 50;
- Stamp - Mademoiselle Lavergne by Jean Etienne Liotard (1702-1789) face value 50;
- Stamp - Man Writing a Letter, Gabriel Metsu face value 14;
- Stamp - The Letter by Pieter de Hooch face value 7;
- Stamp - The Letter, Jean H. Fragonard face value 17;
- Stamp - Woman Reading a Letter, Gerard Terborch face value 11;
- Stamp - Women, Along the Manzanares by Goya face value 4;
Stamp Mademoiselle Lavergne by Jean Etienne Liotard (1702-1789) it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
A woman is an adult female human. Before adulthood, a woman is referred to as a girl (a female child or adolescent)
