Full Pane: Portrait, by John Wenger (Sharjah 1968)
Portrait, by John Wenger (Sharjah 1968)
01 July (Sharjah ) within release American Paintings goes into circulation Full Pane Portrait, by John Wenger face value 6*40 Qatari dirham
| Full Pane Portrait, by John Wenger in catalogues | |
|---|---|
| Colnect codes: | Col: AE-SH 1968.07.00-03b |
Full Pane is vertical format.
Also in the issue American Paintings:
- Stamp - Winslow Homer (1836-1910) face value 30;
- Stamp - John Wenger face value 40;
- Stamp - John Singer Sargent (1856-1925) face value 1;
- Stamp - Grant DeVolson Wood (1891-1942) face value 5;
- Stamp - Gilbert Stuart (1755–1828) face value 20;
- Stamp - James Abbott McNeill Whistler (1834-1903) face value 50;
- Stamp - Norman Percevel Rockwell (1894–1978) face value 4;
- Full Pane - American Gothic, by Grant Wood face value 6*5;
- Full Pane - American Gothic, by Grant Wood face value 10*5;
- Stamp - American Gothic, by Grant Wood face value 5;
- Full Pane - American Gothic, by Grant Wood face value 6*5;
- Souvenir Sheet - American Gothic, by Grant Wood face value 5;
- Full Pane - George Washington, by Gilbert Stuart face value 6*20;
- Full Pane - George Washington, by Gilbert Stuart face value 10*20;
- Stamp - George Washington, by Gilbert Stuart face value 20;
- Full Pane - George Washington, by Gilbert Stuart face value 6*20;
- Souvenir Sheet - George Washington, by Gilbert Stuart face value 20;
- Full Pane - Northeaster, by Winslow Homer face value 6*30;
- Full Pane - Northeaster, by Winslow Homer face value 10*30;
- Stamp - Northeaster, by Winslow Homer face value 30;
- Full Pane - Northeaster, by Winslow Homer face value 6*30;
- Souvenir Sheet - Northeaster, by Winslow Homer face value 30;
- Souvenir Sheet - Paintings by Normal Rockwell and Frederic Remington face value 4.60;
- Souvenir Sheet - Paintings by Normal Rockwell and Frederic Remington face value 4.60;
- Full Pane - Portrait of Carolus-Duran, by John Singer Sargent (1879) face value 6*1;
- Full Pane - Portrait of Carolus-Duran, by John Singer Sargent (1879) face value 10*1;
- Stamp - Portrait of Carolus-Duran, by John Singer Sargent (1879) face value 1;
- Full Pane - Portrait of Carolus-Duran, by John Singer Sargent (1879) face value 6*1;
- Souvenir Sheet - Portrait of Carolus-Duran, by John Singer Sargent (1879) face value 1;
- Full Pane - Portrait of John F. Kennedy, by Norman Rockwell face value 6*4;
- Full Pane - Portrait of John F. Kennedy, by Norman Rockwell face value 10*4;
- Stamp - Portrait of John F. Kennedy, by Norman Rockwell face value 4;
- Full Pane - Portrait of John F. Kennedy, by Norman Rockwell face value 6*4;
- Souvenir Sheet - Portrait of John F. Kennedy, by Norman Rockwell face value 4;
- Full Pane - Portrait, by John Wenger face value 6*40;
- Full Pane - Portrait, by John Wenger face value 10*40;
- Stamp - Portrait, by John Wenger face value 40;
- Full Pane - Portrait, by John Wenger face value 6*40;
- Souvenir Sheet - Portrait, by John Wenger face value 40;
- Full Pane - US Cavalry Officer, by Frederic Sackrider Remington face value 6*60;
- Full Pane - US Cavalry Officer, by Frederic Sackrider Remington face value 10*60;
- Stamp - US Cavalry Officer, by Frederic Sackrider Remington face value 60;
- Full Pane - US Cavalry Officer, by Frederic Sackrider Remington face value 6*60;
- Souvenir Sheet - US Cavalry Officer, by Frederic Sackrider Remington face value 60;
- Full Pane - Whistler's Mother, by James Abbott McNeill Whistler face value 6*50;
- Full Pane - Whistler's Mother, by James Abbott McNeill Whistler face value 10*50;
- Stamp - Whistler's Mother, by James Abbott McNeill Whistler face value 50;
- Full Pane - Whistler's Mother, by James Abbott McNeill Whistler face value 6*50;
- Souvenir Sheet - Whistler's Mother, by James Abbott McNeill Whistler face value 50;
Full Pane Portrait, by John Wenger it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
