Stamp: Experimental Perforation 11 Vertical, Blunt (Germany, Local Post 1946)
Experimental Perforation 11 Vertical, Blunt (Germany, Local Post 1946)
16 February (Germany, Local Post ) within release Finsterwalde goes into circulation Stamp Experimental Perforation 11 Vertical, Blunt face value 8+7 German reichsmark
| Stamp Experimental Perforation 11 Vertical, Blunt in catalogues | |
|---|---|
| Michel: | Mi: DE-FIN 5aVaI |
Stamp is square format.
Experimental Perforation Vertically, Blunt PerforationsAlso in the issue Finsterwalde:
- Stamp - Finsterwalde face value 3+2;
- Stamp - Finsterwalde face value 4+3;
- Stamp - Finsterwalde face value 5+5;
- Stamp - Finsterwalde face value 6+4;
- Stamp - Finsterwalde face value 8+7;
- Stamp - Finsterwalde face value 10+8;
- Stamp - Finsterwalde face value 12+8;
- Stamp - Finsterwalde face value 20+10;
- Stamp - Finsterwalde face value 30+20;
- Stamp - Finsterwalde face value 40+35;
- Stamp - Finsterwalde face value 42+38;
- Stamp - Finsterwalde face value 60+40;
- Souvenir Sheet - Wiederaufbau face value 29+121;
- Souvenir Sheet - Wiederaufbau face value 29+121;
- Stamp - Experimental Perforation 11 Vertical, Blunt face value 8+7;
- Stamp - Experimental Perforation 11, Blunt face value 8+7;
Stamp Experimental Perforation 11 Vertical, Blunt it reflects the thematic directions:
A building or edifice is a structure with a roof and walls standing more or less permanently in one place, such as a house or factory. Buildings come in a variety of sizes, shapes and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, to land prices, ground conditions, specific uses and aesthetic reasons. Buildings serve several needs of society – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the outside (a place that at times may be harsh and harmful).
The City Halls are part of a market complex designed by John Carrick in 1882, but the grand hall itself was designed by George Murray and opened in 1841. It was the first hall suitable for large gatherings and concerts to be built in the City and played host to the likes of Benjamin Disraeli, Charles Dickens, Hungarian patriot Lajos Kossuth and William Ewart Gladstone. From its early days it hosted a wide variety of popular and classical concerts including those by touring groups such as Louis-Antoine Jullien's celebrated London-based orchestra and Charles Halle's orchestra from Manchester. Glasgow's first regular orchestral subscription concert series, played by an orchestra managed by the Glasgow Choral Union, was given in the grand hall from 1874 until the opening of the much larger St Andrew's Hall in 1877. Arthur Sullivan was its conductor for two seasons from 1875 to 1877. The Old Fruitmarket directly adjoins the grand hall and was a functioning market until the 1970s after which it was in occasional use for jazz and folk music events. The adjoining buildings were home to bustling produce markets such as the fresh fruit and flower market and the cheese market.
A coat of arms is an heraldic visual design on an escutcheon (i.e. shield), surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement which in its whole consists of shield, supporters, crest, and motto. A coat of arms is traditionally unique to an individual person, family (except in the United Kingdom), state, organisation or corporation.
