Stamp: Dancing Apsara, Angkor (French Indochina 1931)
Dancing Apsara, Angkor (French Indochina 1931)
16 November (French Indochina ) within release Indigenous motifs goes into circulation Stamp Dancing Apsara, Angkor face value 50 French Indochinese cent
| Stamp Dancing Apsara, Angkor in catalogues | |
|---|---|
| Yvert et Tellier: | Yt:FR-IC167 |
| Michel: | Mi:FR IC 179 |
Stamp is square format.
Also in the issue Indigenous motifs:
- Stamp - Junk face value 1/10;
- Stamp - Junk face value 1/5;
- Stamp - Junk face value 2/5;
- Stamp - Junk face value ½;
- Stamp - Junk face value 4/5;
- Stamp - Junk face value 1;
- Stamp - Junk face value 2;
- Stamp - Bayon temple, Angkor face value 3;
- Stamp - Bayon temple, Angkor face value 4;
- Stamp - Paddy Field face value 10;
- Stamp - Bayon temple, Angkor face value 5;
- Stamp - Bayon temple, Angkor face value 6;
- Stamp - Paddy Field face value 15;
- Stamp - Paddy Field face value 20;
- Stamp - Paddy Field face value 21;
- Stamp - Paddy Field face value 25;
- Stamp - Dancing Apsara, Angkor face value 50;
- Stamp - Dancing Apsara, Angkor face value 1;
- Stamp - Dancing Apsara, Angkor face value 2;
Stamp Dancing Apsara, Angkor it reflects the thematic directions:
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast.
