Stamp: Adam and Eve by Lucas Cranach t.E. (1472-1553) german painte (Ajman 1968)
Adam and Eve by Lucas Cranach t.E. (1472-1553) german painte (Ajman 1968)
05 July (Ajman ) within release Paintings: Adam and Eve goes into circulation Stamp Adam and Eve by Lucas Cranach t.E. (1472-1553) german painte face value 2 United Arab Emirates riyal
| Stamp Adam and Eve by Lucas Cranach t.E. (1472-1553) german painte in catalogues | |
|---|---|
| Michel: | Mi:AJ 283A |
Stamp is square format.
Also in the issue Paintings: Adam and Eve:
- Stamp - Adam by Albrecht Dürer (1471-1528), german painter face value 2;
- Stamp - The Fall (12th century) face value 2;
- Stamp - Adam and Eve by Lucas Cranach t.E. (1472-1553) german painte face value 2;
- Stamp - The Fall by Hugo van der Goes (about 1440-1482) face value 2;
- Stamp - Adam and Eve, by Lucas Cranach t.E. (1472-1553) face value 2;
- Stamp - Adam by Albrecht Dürer (1471-1528) face value 2;
- Souvenir Sheet - Adam, by Albrecht Dürer face value 5;
- Stamp - The Fall by Hugo van der Goes (about 1440-1482) face value 2;
- Stamp - The Fall by Maderuelo (12th century) face value 2;
- Full Pane - Adam and Eve, Lucas Cranach face value 20*2;
- Full Pane - Adam and Eve, Lucas Cranach face value 20*2;
- Full Pane - Adam, Albrecht Dürer face value 20*2;
- Full Pane - Adam, Albrecht Dürer face value 20*2;
- Full Pane - The Fall, Hugo van der Goes face value 20*2;
- Full Pane - The Fall, Hugo van der Goes face value 20*2;
- Full Pane - The Fall, Maderuelo face value 20*2;
- Full Pane - The Fall, Maderuelo face value 20*2;
Stamp Adam and Eve by Lucas Cranach t.E. (1472-1553) german painte it reflects the thematic directions:
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures were generally understood to be symbols of fertility or well-being.
