Stamp: René Magritte: "L'empire des lumières" 1954 (Belgium 2014)
René Magritte: "L'empire des lumières" 1954 (Belgium 2014)
08 September (Belgium ) within release Magritte goes into circulation Stamp René Magritte: "L'empire des lumières" 1954 face value 1 Inland Unit
| Stamp René Magritte: "L'empire des lumières" 1954 in catalogues | |
|---|---|
| Belgium: | Bel:BE 4437 |
| Michel: | Mi:BE 4483 |
Stamp is vertical format.
Nominal value at the date of Issue: 0,7 EuroAlso in the issue Magritte:
- Stamp - René Magritte: "La voie du sang" 1961 face value 1 Inland;
- Stamp - René Magritte: "Portrait d'Adrienne Crowet" 1940 face value 1 Inland;
- Stamp - René Magritte: "La trahison des images" 1929 face value 1 Inland;
- Stamp - René Magritte: "Golconde" 1953 face value 1 Inland;
- Stamp - René Magritte: "La grande famille" 1963 face value 1 Inland;
- Stamp - René Magritte: "Découverte" 1927 face value 1 Inland;
- Stamp - René Magritte: "La domaine d'Arnheim" 1962 face value 1 Inland;
- Stamp - René Magritte: "L'empire des lumières" 1954 face value 1 Inland;
- Stamp - René Magritte: "Les valeurs personnelles" 1952 face value 1 Inland;
- Stamp - René Magritte: La poitrine" 1961 face value 1 Inland;
- Booklet - René Magritte Booklet "Ceci est un timbre" face value 10*1;
Stamp René Magritte: "L'empire des lumières" 1954 it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
