Stamp: Giovanni Bellini (Ajman 1971)
Giovanni Bellini (Ajman 1971)
21 April (Ajman ) within release Paintings goes into circulation Stamp Giovanni Bellini face value 3 United Arab Emirates dirham
| Stamp Giovanni Bellini in catalogues | |
|---|---|
| Michel: | Mi:AJ 828A |
Stamp is vertical format.
Also in the issue Paintings:
- Stamp - Spring by Bocklin face value 1;
- Stamp - Fortune by Reni face value 2;
- Stamp - Giovanni Bellini face value 3;
- Stamp - Vanity by Baldung face value 4;
- Stamp - The love and the time by Bronzino face value 5;
- Stamp - The moon and the earth by Gaugin face value 10;
- Stamp - The Moon and the Earth (1893), by Paul Gauguin face value 10;
- Stamp - Allegory of Music (1529), by Hans Baldung face value 2;
- Souvenir Sheet - Allegory of the Treasures of the Sea (1585) by Jacopo Zucchi face value 10;
- Stamp - Prudence (1529), by Hans Baldung face value 4;
- Stamp - Fortune (1637), by Guido Reni face value 2;
- Stamp - Venus, Cupid, Folly and Time (1545), by Bronzino face value 5;
- Stamp - Spring (1862), by Arnold Böcklin face value 1;
- Stamp - Prudence (c. 1490), by Giovanni Bellini face value 3;
- Souvenir Sheet - Allegory of the Treasures of the Sea (1585) by Jacopo Zucchi face value 10;
- Stamp - Allegory of Music (1529), by Hans Baldung face value 2;
- Stamp - Saturn, Conquered by Amor, Venus and Hope, by Simon Vouet face value 3;
- Souvenir Sheet - Olympia, by Edouard Manet face value 10;
- Mini Sheet - Paintings face value 25;
- Stamp - Olympia, by Edouard Manet face value 10;
- Stamp - Allegory of the Treasures of the Sea (1585) by Jacopo Zucchi face value 10;
Stamp Giovanni Bellini it reflects the thematic directions:
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures were generally understood to be symbols of fertility or well-being.
