Stamp: The School of Athens; Stanza Segnatura (Ajman 1972)
The School of Athens; Stanza Segnatura (Ajman 1972)
01 January (Ajman ) within release Frescoes by Raffael goes into circulation Stamp The School of Athens; Stanza Segnatura face value 2.50 United Arab Emirates riyal
| Stamp The School of Athens; Stanza Segnatura in catalogues | |
|---|---|
| Michel: | Mi:AJ 1718A |
Stamp is vertical format.
Also in the issue Frescoes by Raffael:
- Stamp - The Fire in Borgo; Stanza dell'Incendio di Borgo, Vatican Pa face value 1;
- Stamp - The Judgement of Salomon; Stanza della Segnatura face value 2;
- Stamp - The Fire in Borgo; Stanza dell'Incendio di Borgo, Vatican Pa face value 2;
- Stamp - The School of Athens; Stanza Segnatura face value 2.50;
- Stamp - The Liberation of St Peter; Stanza di Eliodoro , Vatican Pa… face value 75;
- Stamp - Celling frescoes; Stanza della Segnatura face value 75;
- Stamp - The Oath of Pope Leo III; Stanza dell'Incendio di Borgo face value 1;
- Stamp - The Fire in the Borgo: Stanza dell'Incendio di Borgo face value 1.25;
- Stamp - The School of Athens; Stanza della Segnatura face value 1.50;
- Stamp - The Coronation of Charlemagne; Stanza dell'Incendio di Borgo face value 2.50;
- Stamp - The Parnassus; Stanza della Sagnatura, Vatican Palace face value 75;
- Stamp - The Meeting between Leo the Great and Attila; Stanza di Eli… face value 1;
- Stamp - The Battle of Ostia; Stanza dell Incendio di Borgo face value 1.25;
- Stamp - The Expulsion of Heliodorus from the temple; Stanza di Elio… face value 1.50;
- Stamp - La Disputa; Stanza della Segnatura face value 2;
- Stamp - The Mass at Bolsena; Stanza di Eliodoro face value 2.50;
- Souvenir Sheet - The Mass at Bolsena; Stanza di Eliodoro face value 2.50;
- Souvenir Sheet - The Liberation of St Peter; Stanza di Eliodoro, Vatican Pal face value 75;
Stamp The School of Athens; Stanza Segnatura it reflects the thematic directions:
Fresco (pl. frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco (Italian: affresco) is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting.
