Se-tenant: Paintings by Rembrandt (São Tomé and Príncipe 1983)
Paintings by Rembrandt (São Tomé and Príncipe 1983)
09 May (São Tomé and Príncipe ) within release Easter - paintings goes into circulation Se-tenant Paintings by Rembrandt face value 2*16 São Tomé and Príncipe dobra
| Se-tenant Paintings by Rembrandt in catalogues | |
|---|---|
| Michel: | Mi:ST 817-818 |
| Yvert et Tellier: | Yt:ST 733-734 |
Se-tenant is horizontal format.
Also in the issue Easter - paintings:
- Stamp - Rondo, by Rubens face value 16;
- Stamp - The garden of Love, by Rubens face value 16;
- Stamp - Young man with pointed beard face value 16;
- Stamp - Portrait of young women, by Rembrandt face value 16;
- Stamp - St. Catherine, by Raphael face value 16;
- Stamp - St. Margaret, by Raphael face value 16;
- Stamp - Samson and Dalila, by Rubens face value 18;
- Stamp - Descent from the Cross, by Rubens face value 18;
- Stamp - Elevation of the Cross, by Rembrandt face value 18;
- Stamp - Descent from the Cross, by Rembrandt face value 18;
- Stamp - The Crucifixion, by Raphael face value 18;
- Stamp - The Transfoguration, by Raphael face value 18;
- Se-tenant - Paintings by Rubens face value 2*16;
- Se-tenant - Paintings by Rembrandt face value 2*16;
- Se-tenant - Paintings by Raphael face value 2*16;
- Se-tenant - Paintings by Rembrandt face value 2*18;
- Se-tenant - Paintings by Raphael face value 2*18;
- Souvenir Sheet - Rafael: Transfiguracao face value 18;
Se-tenant Paintings by Rembrandt it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
