22 November (Moldova ) within release Personalities goes into circulation Stamp Personalities - Mihail Grocu (1916-1998) - 100 years since his birth face value 5.75 Moldovan leu
Stamp Personalities - Mihail Grocu (1916-1998) - 100 years since his birth in catalogues | |
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WADP Numbering System - WNS: | WAD:MD043.16 |
Stamp is horizontal format.
Number in set - 1|. Layout - miniature sheet of 1. Issuing - Ministére de la technologie de l’information et des communications Republique de Moldova. Printer - Printing House Nova Imprim Chisinau MoldovaAlso in the issue Personalities :
Stamp Personalities - Mihail Grocu (1916-1998) - 100 years since his birth it reflects the thematic directions:
An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, the term is also often used in the entertainment business, especially in a business context, for musicians and other performers (although less often for actors). "Artiste" (French for artist) is a variant used in English in this context, but this use has become rare. The use of the term "artist" to describe writers is valid, but less common, and mostly restricted to contexts such as critics' reviews.
In European academic traditions, fine art is made primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life.