Souvenir Sheet: "The Whistler and the Drummer" by Dürer (Ajman 1968)
"The Whistler and the Drummer" by Dürer (Ajman 1968)
05 March (Ajman ) within release Paintings goes into circulation Souvenir Sheet "The Whistler and the Drummer" by Dürer face value 5 United Arab Emirates riyal
| Souvenir Sheet "The Whistler and the Drummer" by Dürer in catalogues | |
|---|---|
| Michel: | Mi: AJ BL24 |
| Yvert et Tellier: | Yt: AJ PA26(BF1) |
Souvenir Sheet is vertical format.
Also in the issue Paintings:
- Stamp - Dame on spinet; by Jan Vermeer van Delft (1632-1675) face value 1;
- Stamp - The Lute Player, by Caravaggio face value 2;
- Stamp - RUBENS Juste Lipse et ses eleves face value 1;
- Stamp - Albrecht Dürer Selfportrait 1498 face value 2;
- Stamp - Albrecht Dürer - Hieronymus Holtzschuher face value 2;
- Stamp - RUBENS Rubens et Isabelle Brandt face value 2;
- Stamp - VERMEER La dentelliere face value 2;
- Souvenir Sheet - "The Whistler and the Drummer" by Dürer face value 5;
- Souvenir Sheet - "Helene Fourment with oldest sohn" by Rubens face value 5;
- Souvenir Sheet - "the painter in his studio" by Vermeer face value 5;
- Stamp - Albrecht Dürer Selfportrait (1498) face value 2;
- Stamp - Dame on Spinet; by Jan Vermeer van Delft (1632-1675) face value 1;
- Stamp - Hieronymus Holtzschuher, Albrecht Dürer face value 2;
- Stamp - Juste Lipse et ses eleves; by Pierre-Paul Rubens (1577-1640) face value 1;
- Stamp - Portrait of Oswalt Krel; by Albrecht Duerer face value 1;
- Stamp - Rubens and Isabelle Brandt, RUBENS face value 2;
- Stamp - Self-Portrait with flower; by Albrecht Duerer (1471-1528) face value 1;
- Stamp - The Lute Player, by Caravaggio face value 2;
- Stamp - The Lute Player; by Caravaggio (1571-1610) face value 2;
- Stamp - VERMEER La dentelliere face value 2;
Souvenir Sheet "The Whistler and the Drummer" by Dürer it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
