Stamp: "The Lace-maker" 1823, V.A.Tropinin (Soviet Union, USSR 1967)
"The Lace-maker" 1823, V.A.Tropinin (Soviet Union, USSR 1967)
29 December (Soviet Union, USSR ) within release State Tretyakov Gallery goes into circulation Stamp "The Lace-maker" 1823, V.A.Tropinin face value 4 Russian kopek
| Stamp "The Lace-maker" 1823, V.A.Tropinin in catalogues | |
|---|---|
| Michel: | Mi:SU 3447 |
Stamp is vertical format.
Also in the issue State Tretyakov Gallery:
- Stamp - "The Interrogation of Communist" 1933, B. V. Iogabson (1893- face value 3;
- Stamp - "The Sea-shore" 1840, I.K.Aivazovsky (1817-1900) face value 4;
- Stamp - "The Lace-maker" 1823, V.A.Tropinin face value 4;
- Stamp - "Bread" 1949, T. N. Yablonskaya face value 6;
- Stamp - "Aleksandr Nevsky" 1942-1943, P. D. Korin (1892-1967) face value 6;
- Stamp - "Boyarynya Morozova" 1887, V. I. Surikov (1848-1916) face value 6;
- Stamp - "The Arrest of a Propagandist" 1878, I. E. Repin (1844-1916) face value 10;
- Stamp - "The Swain Maiden" 1900, M. A. Vrtubel (1856-1910) face value 10;
- Stamp - "Moscow Suburb. February" 1957, G. G. Nissky face value 16;
- Stamp - Aleksandr Nevsky 1942-1943, P. D. Korin (1892-1967) face value 6;
- Stamp - Interrogation of Communists, B.V. Ioganson (1933) face value 3;
- Stamp - The Sea-shore, I.K. Aivazovsky (1840) face value 4;
- Stamp - The Swan Princess, M.A. Vrubel (1900) face value 10;
Stamp "The Lace-maker" 1823, V.A.Tropinin it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
