Souvenir Sheet: Impressionist IV (Rwanda 1980)
Impressionist IV (Rwanda 1980)
04 August (Rwanda ) within release French Impressionist paintings goes into circulation Souvenir Sheet Impressionist IV face value 60 Rwanda santime
| Souvenir Sheet Impressionist IV in catalogues | |
|---|---|
| Michel: | Mi: RW BL93 |
| Stamp Number: | Sn: RW 988a |
| Belgium: | Bel: RW BL87 |
Souvenir Sheet is square format.
Also in the issue French Impressionist paintings:
- Stamp - Still life, by Renoir face value 20;
- Stamp - Henri de Toulouse Lautrec in theater face value 30;
- Stamp - Starry Night, by Van Gogh face value 5;
- Stamp - Mary Cassatt face value 4;
- Stamp - Edgar Degas face value 10;
- Stamp - Paul Cezanne face value 50;
- Stamp - Paul Gauguin face value 70;
- Stamp - Georges Seurat face value 100;
- Souvenir Sheet - Impressionist IV face value 60;
- Souvenir Sheet - Impressionist I face value 30;
- Souvenir Sheet - Impressionist III face value 80;
- Souvenir Sheet - Impressionist II face value 80;
- Stamp - Paul Gauguin face value 70;
- Stamp - Still life, by Renoir face value 75;
- Stamp - Henri de Toulouse Lautrec in theater face value 26;
- Stamp - Mary Cassatt face value 4;
- Stamp - Starry Night, by Van Gogh face value 5;
- Stamp - Paul Cezanne face value 50;
- Stamp - Edgar Degas face value 10;
- Stamp - Claude Monet face value 10;
Souvenir Sheet Impressionist IV it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
