Stamp: Benjamin Rabier 1864-1939 - canard Gédéon (France 2014)
Benjamin Rabier 1864-1939 - canard Gédéon (France 2014)
25 September (France ) within release Beautiful stamps exhibit at the Salon goes into circulation Stamp Benjamin Rabier 1864-1939 - canard Gédéon face value 0.66 Euro
| Stamp Benjamin Rabier 1864-1939 - canard Gédéon in catalogues | |
|---|---|
| Yvert et Tellier: | Yt: FR A1027 |
| Michel: | Mi: FR 5977 |
Stamp is vertical format.
Issued from the booklet "Beautiful stamps exhibit at the Salon"Also in the issue Beautiful stamps exhibit at the Salon:
- Stamp - Jean Jaurès face value 0.61;
- Stamp - Locmaraquer - Morbihan face value 0.61;
- Stamp - Benjamin Rabier 1864-1939 - canard Gédéon face value 0.66;
- Stamp - Jean Dufy - The Seine Bridge at the Carrousel face value 1.65;
- Stamp - Paris Institute of France 87th Congress of the FFAP face value 0.61;
- Stamp - La musique face value 0.66;
- Stamp - Jean Jaurès face value 1.02;
- Stamp - Benjamin Rabier 1864-1939 face value 1.10;
- Stamp - L'automobile face value 0.66;
Stamp Benjamin Rabier 1864-1939 - canard Gédéon it reflects the thematic directions:
A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.
The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in Punch magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animated films that resembled print cartoons.
