01 January (Benin ) within release 1997 Overprints & Surcharges goes into circulation Stamp 1997 Overprints & Surcharges face value 35 West African CFA franc
Stamp 1997 Overprints & Surcharges in catalogues | |
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Michel: | Mi: BJ 1105 |
Stamp is square format.
Overprint on Dahomey Mi# 402 Adoration of the Kings, by Antwerp SchoolAlso in the issue 1997 Overprints & Surcharges:
Data entry completed
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Stamp 1997 Overprints & Surcharges in digits | |
Country: | Benin |
Date: | 1997-01-01 |
Emission: | Definitive |
Format: | Stamp |
Face Value: | 35 West African CFA franc |
Stamp 1997 Overprints & Surcharges it reflects the thematic directions:
Goliath (/ɡəˈlaɪəθ/ gə-LY-əth) was a Philistine giant in the Book of Samuel. Descriptions of Goliath's immense stature vary among biblical sources, with texts describing him as either 6 ft 9 in (2.06 m) or 9 ft 9 in (2.97 m) tall. According to the text, Goliath issued a challenge to the Israelites, daring them to send forth a champion to engage him in single combat; he was ultimately defeated by the young shepherd David, employing a sling and stone as a weapon. The narrative signified King Saul's unfitness to rule, as Saul himself should have fought for the Kingdom of Israel
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, may be used. One who produces paintings is called a painter.
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.