Stamp: Statue by EM Falconet (France 2019)
Statue by EM Falconet (France 2019)
01 April (France ) within release The Female Nude in Sculpture (2019) goes into circulation Stamp Statue by EM Falconet face value Verte No Face Value
| Stamp Statue by EM Falconet in catalogues | |
|---|---|
| Colnect codes: | Col: FR 2019-17b |
Stamp is square format.
stamp from booklet pane. Face value €0.88 on day of issueAlso in the issue The Female Nude in Sculpture (2019):
- Stamp - Statue by Charles Despiau face value Verte;
- Stamp - Paleolithic Venus Statue face value Verte;
- Stamp - Venus de Milo face value Verte;
- Stamp - Statue by EM Falconet face value Verte;
- Stamp - Ancient Egyptian Statue face value Verte;
- Stamp - Wooden Sculpture from Cote D'Ivoire face value Verte;
- Stamp - Neolithic Venus Figurine face value Verte;
- Stamp - Nepali Statuette face value Verte;
- Stamp - Statue by Antoine Bourdelle face value Verte;
- Stamp - Statue by Aristide Maillol face value Verte;
- Booklet Pane - The Female Nude in Sculpture face value 12*Verte;
- Stamp - Statue by Eduard Degas face value Verte;
- Stamp - Statue by Jacquio Ponce face value Verte;
Stamp Statue by EM Falconet it reflects the thematic directions:
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures were generally understood to be symbols of fertility or well-being.
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast.
