Stamp: Lui Da Wei. Bull. 2015 (Belarus 2015)
Lui Da Wei. Bull. 2015 (Belarus 2015)
15 December (Belarus ) within release Nature motifs in Paintings of Belarus and China goes into circulation Stamp Lui Da Wei. Bull. 2015 face value М No Face Value
| Stamp Lui Da Wei. Bull. 2015 in catalogues | |
|---|---|
| Michel: | Mi:BY 1095 |
| Belgium: | Bel:BY 1100 |
Stamp is horizontal format.
Also in the issue Nature motifs in Paintings of Belarus and China:
- Stamp - Nature motifs in Paintings of Belarus and China face value A;
- Stamp - Nature motifs in Paintings of Belarus and China face value N;
- Stamp - Nature motifs in Paintings of Belarus and China face value M;
- Stamp - Nature motifs in Paintings of Belarus and China face value M;
- Stamp - Nature motifs in Paintings of Belarus and China face value H;
- Stamp - Nature motifs in Paintings of Belarus and China face value P;
- Stamp - Valeriana Zholtok. Summer. 1977. face value A;
- Stamp - Gavriil Vashchenko. Flash of summer lightning. face value N;
- Stamp - Gennady Loyko. Aurochs. 1968. face value М;
- Stamp - Lui Da Wei. Bull. 2015 face value М;
- Stamp - Guo Yi Cong. Peonies. 1984 face value H;
- Stamp - Zhan Geng Xi. China crane. 2008 face value P;
- Souvenir Sheet - Nature motifs in paintings of Belarus and China face value None;
Stamp Lui Da Wei. Bull. 2015 it reflects the thematic directions:
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism). A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes rendered on the interior walls and ceiling of the Sistine Chapel, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes both the act and the result of the action. The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper and concrete, and the painting may incorporate multiple other materials including sand, clay, paper, plaster, gold leaf, as well as objects. The term painting is also used outside of art as a common trade among craftsmen and builders.
